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Needleworkers went quite well. It was a first-time visit to Fionguala and Montague's house for Emma. [personal profile] islenskr was there -- she spent part of the evening learning about 14th c. clothing and part of it learning to spin on a spinning wheel from D.Moiselle. [profile] etainmbw's mother Patricia was there, also Brigit, [personal profile] ellid, and Una.

Pagan G did the majority of the talking and explaining and had lots of books for people to look at. I had some stuff printed out as well, to supplement what she was doing. The plaid that Dagobert is sitting on (near end of 14th c) was a new thing for her, so she was excited about that. I modeled my old Italian slip - it's lightly boned and modelled after a memory from Zeferelli's Romeo and Juliet. Works quite well still. Anyway, I think when we get to work on clothing that we'll start with the Gothic fitted dress ('cotehardie') first, with appropriate shaping and support during the fitting process. It should be wool lined with linen, so we'll see if that is sufficient support without anything substantial underneath. But if not, I think making strapped slips as in some of the illustrations but with some breast support may be in order, especially for our shapelier ladies. It wouldn't have to be done with boning -- we could just fit the bodice of the slip and use a couple of layers of linen, maybe quilted through.

We had some good discussions on silhouette and how things progressed over time in England, France, Italy, and Spain. And a little bit of Germany too. She and I are theorizing that possibly plaid shows up sporadically because of class issues. Also, I personally think a lot of artists didn't like to do patterns that would be hard to do on drapes and folds. No proof, of course. But I have noted that there is even less evidence of plaids in the 15th century, which doesn't make a lot of sense -- except that much of what we've seen has been really rich people or really poor people. Plaid may be somewhere in between. Ah well. At any rate, it seems that my purple/green plaid may become 14th c. clothing for well-to-do merchants/printers/bookbinders :) Possibly parti-colored. I also have some beautiful light blue/green stuff (another large pattern, not the also beautiful subtle dark blue/green silk/wool I got from [personal profile] freya46, which may have to become something modern. I suppose I could wear plaid outside the SCA.... hmmm.....

For EK 12th Night I think I'll wear what I wore at Bergental Yule. I have projects to work on, so it'll save some time and wear and tear. Really, if I have any time to sew, it ought to be finishing a tunic I cut out this summer and a warmer jacket for the warmer winter days! Oh, for those who haven't seen what [personal profile] fitzw and I wore at Berg Yule, he managed to take a pic or two of me in the woods, but I haven't seen any of both of us yet. Will work on trying to get one to put up here.

We had some things to finish up this (Saturday) morning, so we got to the family gathering a little late. We weren't the only ones though, so I guess it was just one of those kinds of days. Everyone was happy with their presents -- among other things I am now the proud possessor of a gift certificate for Webs, from my sister-in-law S :) And some very pretty pewter buttons are coming in the mail soon too! (Thank you [personal profile] fitzw!) And we got gift cards and things from M and W (my in-laws), so sometime after the Christmas season we can go shopping at the mall. Food and company were both excellent, which is of course the best part. Oh, and I'd forgotten and left [personal profile] fitzw's present at home, but he's just opened it and likes it. See his LJ for details.

Tomorrow we'll be going to the Sundered Lands for fighter practice. [personal profile] fitzw hopes to fight; I'll be there for a conversation. If there's time after that, I can socialize with everyone else, before returning home to work on a couple of clients. Then choir practice at 6pm!
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Got adjusted this morning. Lots of things out, mostly on the left. Need more work done on muscles of mid/upper back, need to stretch more, and was gently chastised for not wearing my orthotics. I don't really think about it when I'm indoors... sigh. So, going to start making notes in one of my travelling books on what I'm doing each day for stretching, strengthening, and exercising. On the plus side, my neck wasn't as far out of alignment as it has been for the past month. Yay!

I have to spin everyday between now and about a week before EK 12th Night. Many yards to go, but I shouldn't spin for more than 1 hour at a time, especially with the drop spindle. Tightens the shoulders/back up something fierce if I go for too long. And besides, I need scheduled time for painting.

So, going to try to have more structured time and see how that works.

Been doing pretty well at not staying in one position for more than two hours (the Sarnac Stretch challenge), and bugging [personal profile] fitzw about it as well.

Family holiday gathering tomorrow, and still have one more present to get because I couldn't get up to the spending limit -- store only had two bins and I need one more, or something else. May get gift certificate for remainder, at one of the recipient's favorite stores instead. Oops, just remembered I have a couple of other gifts to get. sigh. Wrapping to do still as well - combo of whatever papers I have in stock and some of the cloth gift bags I made earlier this year.

Tonight is Needleworkers, where we start talking with folks about mid-late 14th c. clothing, showing pictures, etc. Not mid-late 14th c., but I now have a pic of early 14th c. plaid clothing in Italy. Short of doing an exhaustive search on all extant textile pieces, it's going to be hard to say in detail what patterns were in use. Paintings and illustrations from the time period are only so helpful, and written documents can also be lacking, although they sometimes have information on things for which there are no extant pieces (inventories, histories of actual events, bills of sale/lading, wills).

What we have for sure - ideas/information on construction and silhouette, from different countries. Information on materials - wool, linen, some silk. Weaves - plain/tabby, twills, some type of brocade (not jacquard). Patterns - plain solid, patterned but solid, striped (usually horizontal, but not always - see Venice), check, some plaid. Some stripes may be applied trim, not woven. One of the reasons I've printed a bunch of the Medieval Textile Society newsletters is to start learning about period weaves. Eventually I'll get to books, but the articles are more manageable for me. I do have Crowfoot's book on textiles (1100 - 1450), which I've been perusing when I have time.

Why the interest in plaid?

-Because it wasn't just for Scottish people. Italian and Spanish folks liked it too, and also some folks in the mid-East, IIRC.

-Because "plaid" covers a lot of different weave patterns and color combinations - some are more appropriate to SCA period than others. The red Stewart that [personal profile] fitzw and I got for Tom and Fiona's baronial investiture -- pretty, but post period in design. (I still bring one to Pennsic for putting on the bed, because by golly it's good quality wool.)

- Because I have some really cool purple/green plaid and I want to use it for medieval/renaissance clothing :D

Update: found one prezzie, [personal profile] fitzw's getting another, and for the last either a gift card or some artwork if I have time tonight (something simple and suited to a Provencal-style kitchen).

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helwen

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